The
somewhat limited marketing I’ve seen for Safety
Not Guaranteed has touted fairly heavily that this is from the same
producers that brought you Little Miss
Sunshine. And you can see why. Although a completely different experience
to LMS, Safety Not Guaranteed evinces
a little of the same emotional response. It looks fairly straightforward from
the outside but gradually gives up a rich inner life that culminates in a
completely unexpected and totally uplifting climax that put a massive smile
across my face.
I
doubt Safety Not Guaranteed will
enjoy the same success that LMS did
though and part of it, I think, will come down to the marketing of it. It’s a
tricky one to categorise in many ways. It feels like an indie comedy, has the
mechanics of a romantic comedy, yet features a sci-fi element that should
either be completely dismissed or is secretly underpinning the whole movie
depending on what you think of its leading male character.
It
also lacks a little of the star power that made people pay attention to LMS; though the casting certainly can’t
be faulted here. In the main three roles of the film are three very well
established television actors with Parks
and Recreation’s Aubrey
Plaza, The League’s Mark Duplass, and New Girl’s Jake Johnson. And in each
instance the actors are playing against the type their small screen exploits
may have lead you expect.
Full
disclosure going in: I’m a massive fan of Aubrey Plaza
and her schtick but have occasionally wondered how much range she has as an
actress given that I’ve only ever seen her play sardonic young women who
secretly want to kill you. Safety Not
Guaranteed is (I believe) her first feature as a leading lady and I went in
with a bit of apprehension that all the eye-rolling in the world wouldn’t be
enough to sustain 90 minutes of footage.
The
good news is that Plaza exhibits, if not range, then at least nuance as Darius,
the leading character of SNG. The
deadpan delivery is still out in force (the scene where she confronts Duplass’ Kenneth
for the first time is an absolute gem) but it is much clearer in this outing
that it is all a front for a vulnerable and lonely young woman who has long
felt at odds with the world she lives in.
The
plot of the movie has Darius, an intern at a Seattle-based magazine seconded to
Jake Johnson’s slick journalist Jeff as they investigate an intriguing wanted
ad seeking a partner for a time travelling journey where safety is not
guaranteed. Along for the ride is fellow intern Arnau (played beautifully understatedly
by Karan Soni) whose crippling shyness makes him an odd choice for a
journalistic internship.
Arriving
in a small Northwest American town, they trio track down Kenneth Carraway (Mark
Duplass), the writer of the advertisement who, to the cityfolk’s eyes at least,
is clearly mentally disturbed. After Jeff’s aggressively charismatic attempts
to secure an interview fail to win over the guarded Kenneth, Darius is chosen
to make a second attempt and, from there an unexpected partnership (and the
movie) takes off.
Ultimately,
Safety Not Guaranteed is about some
fairly well worn cinematic themes – the conflict between cynicism and innocence
(both Darius and Kenneth are seeking a deeper life beyond the surface of what
they’re offered in life), the sharp pain of regret and the fear of a wasted
life, and the unexpected way that a fraction of hope can transform your whole
world.
As
I say, none of these themes are particularly new but the film handles them
deftly, playing from one to another at just the right time to stop any feeling
cloying or preachy and even the minor characters get brought along for the
ride. A major subplot if Jeff’s rekindling of a romance with his former high
school sweetheart (a major part of him pitching his story to his editor was the
chance to revisit her) and his discovery that his outwardly successful life may
have been, he may have been secretly yearning for something fuller all along.
That plays beautifully into his relationship with the inexperienced Arnau who
needs to grasp life more fully himself. By constantly shifting focus among five
characters in search of an antagonist, everyone’s life can get richer without
feeling like an episode of Touched By An
Angel.
Wisely,
the film is coy about whether the damaged Kenneth really is capable of the time
travel he claims be able to achieve and focuses on the dynamic between him and
Darius. Both are defensive, insular characters who nonetheless crave connection
and the slow blossoming of trust between them feels organic. Of course she’s
lying to him about her intentions in typical romcom fashion but we get plenty
of clues that he might be as crazy (and potentially dangerous) as she had
believed before getting to know him. And
plenty of clues that he might just what he says he is after all. Sticking
around to see which is true is part of the fun of it all.
I
made a point of singling out Aubrey
Plaza early on, but Mark
Duplass (who also produces) also deserves a lot of credit for his aching portrayal
of the damaged Kenneth. He’s everything you’d avoid in real life but impossible
to dislike on the big screen. And for an actor that I’m more used to seeing
play a douche bag on The League, it’s
enough for me to want go through his back catalogue.
All
in all, Safety Not Guaranteed is not
the best film you’ll ever see (its first act does take its time and not all
jokes hit their mark) but it’s certainly one of the better films I’ve seen this
year and is an absolute charmer.
And
any film that already has you hooked and then – BAM, Kristin Bell! – is definitely
worth seeing.
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